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Chaim Soutine
Chaim Soutine Art Locations
1916
61 x 74cm
Private Collection, New York
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Chaim Soutine
La Russe (Portait de Femme)
1916
65 x 50cm
Los Angeles Museum of Art
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Chaim Soutine
Still Life with Lemons
1916
63 x 54cm
Private Collection, New York
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Chaim Soutine
Nature Morte au Faisan
1918
90 x 58cm
Private Collection, Philadelphia
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Chaim Soutine
Glaieuls Rouges
1919
54.5 x 46cm
Private Collection
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Chaim Soutine
The Man in Prayer
1921
90 x 54cm
Private Collection
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Chaim Soutine
Woman in Pink
1921-22 72 x 54cm
Private Collection
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Chaim Soutine
Farm Girl
1922
80 x 44.5cm
Private Collection
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Chaim Soutine
Woman in Red
1922
63.5 x 50.5cm
Private Collection
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Chaim Soutine
Portrait of a Widow
1922
119 x 56cm
Private Collection
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Chaim Soutine
The Old Mill
1922
66.5 x 82cm
Private Collection
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Chaim Soutine
The Little Pastry Cook
1922
153 x 66cm
Portland Art Museum, Oregon
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Chaim Soutine
The Little Pastry Cook
Musee de l'Orangerie, Paris
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Chaim Soutine
The Village
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Chaim Soutine
The Village
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Chaim Soutine
View of Ceret
1922
74 x 75cm
Baltimore Museum of Art
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Chaim Soutine
Landscape of Ceret
1922
71 x 104cm
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Chaim Soutine
Self Portrait
1922-23
81 x 43cm
Museum of Modern Art, Paris
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Chaim Soutine
Still Life with Fish, Eggs and Lemons
1923
64.5 x 80.5cm
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Chaim Soutine
Portrait of Sculptor Miestchaninoff
1923
82.5 x 65cm
Pompidou Center, Paris
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| Chaim Soutine
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Chaim Soutine Art Locations
Lithuanian 1893-1943
Soutine was born in Smilavichy near Minsk, Belarus (then part of the Russian Empire). He was the tenth of eleven children.
From 1910?C1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913, with his friends Pinchus Kremegne and Michel Kikoine, he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique.
For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times, most famously in 1917, on a door of an apartment belonging to Leopold Zborowski, who was their art dealer. Zoborowski supported Soutine through the World War I, taking the struggling artist with him to Nice to escape the German bombing of Paris.
In 1923, the American collector Albert C. Barnes visited his studio and immediately bought sixty of Soutine's paintings.
Soutine once horrified his neighbours by keeping an animal carcass in his studio so that he could paint it (Carcass of Beef). The stench drove them to send for the police, whom Soutine promptly lectured on the relative importance of art over hygiene. In February 2006 this painting sold for £7.8 million to an anonymous buyer in London.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the exhibition of Independent Art held in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer. Soutine was interred in Cimeti??re du Montparnasse, Paris.
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